THE HISTORY OF
TAPS
It's hard to feel surprised when a melody as hauntingly beautiful as Taps picks up a legend about how it came to be written
Taps
was composed in July 1862 at Harrison's Landing in Virginia, but after
that the fanciful
How the call came into being was never anything more than one influential soldier deciding his unit could use a bugle call for particular occasions and setting about to come up with one.
If anyone can be said to have
composed 'Taps,' it was Brig. Gen. Daniel Butterfield, Commander of the
Whether he wrote it straight from the cuff or improvised something new by rearranging an older work, Butterfield brought 'Taps' into being. With the help of his bugler, Oliver W. Norton of Chicago, the concept was transformed into its present form.
Taps" was quickly taken up by both sides of the conflict, and within months was being sounded by buglers in both Union and Confederate forces.
"Then as now, 'Taps' serves as a vital component in ceremonies honoring military dead. It is also understood by
American servicemen as an end-of-day 'lights out' signal.
When "Taps" is played at a military funeral, it is customary to salute if in uniform,
or place your hand over your heart if not in uniform.
WORDS TO TAPS
Day is done, gone the sun,
From the hills, from the lake,
From the sky.
All is well, safely rest,
God is nigh.
Go to sleep, peaceful sleep,
May the soldier or sailor,
God keep.
On the land or the deep,
Safe in sleep.
Love, good night, Must thou go,
When the day, And the night
Need thee so?
All is well. Speedeth all
To their rest.
Fades the light; And afar
Goeth day, And the stars
Shineth bright,
Fare thee well; Day has gone,
Night is on.
Thanks and praise, For our
days,
'Neath the sun, Neath the stars,
'Neath the sky,
As we go, This we know,
God is nigh.
Barbara "tap answer" Mikkelson